![]() ![]() But it's - I like to think of it sometimes as, let's say, a very successful local breakfast or a restaurant - breakfast-type shop. It's not glamorous, you know, to physically be picking people up and making these arrangements and stuff like that. And you know something about that, right?ĪLI SHAHEED MUHAMMAD: Yeah, I do. But I was definitely up for the challenge. Everybody can't stomach that or fathom the thought of having to do that on a daily basis. When you gotta go pick up the director, get the video equipment, get the video shot right, the video treatment, go in the studio, pay the bills, and perform. ![]() It's tough when you gotta run a independent situation on your own. And it's just on them to seize that control and how much control they actually want, you know what I mean?Ĭause some people don't want those responsibilities. I just think that the whole scope of the game has changed now to the point where, like I said, the artist have more control. You gotta have people to back you, people to believe in you. I think that - this music thing, it's like anything else that you want to get into, any other business. GIBBS: I feel like some artists need a record label, and some don't. KELLEY: And they don't like it because - I mean, I'm very interested in how you think about labels and differentiate yourself, but mostly on how you've said in interviews that they're coming to you now. I like the way - where music's at right now. A lot of people don't like it, but I love it. With this independence and this Internet, it's like, it gives the artist more control. So it's just like, people just popping records out. ![]() Like Pusha T just put his record out today, I heard. Where you don't really need the big huge roll-out campaign to put a record out nowadays. Microphone Check Pusha T: 'This Is What I Like To Make' ![]()
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